Exhibition: With Eyes Aghast: Transmannerist Reactions

Opening and performance program | 19.11.2015, 7.00 p.m.
Exhibition dates | 20.11.2015 – 10.01.2016
Venue | Akademie der bildenden Künste Wien, Schillerplatz 3, 1010 Vienna, xhibit
Tue–Sun 10–18

free entry

curated by Moritz Gottschalk, Christian Hetlinger, Roberta Lima, Matteo Patti und Ruby Sircar
(Foto: Thomas Smetana)

xhibit_planfolderA4 (german)


EXHIBITION

curated by Christian Hetlinger, Matteo Patti und Ruby Sircar

with Christoph Ablinger, Annemarie Arzberger, Florian Aschka, Wilhelm Binder, Amoako Boafo, Roy Fredrick Culbertson III, Luise Deininger, Zoe DeWitt, Veronika Dirnhofer, Albrecht Dürer, Andy Dvorak, Veronika Eberhart, Julia Fuchs, Fanni Futterknecht, Hendrick Goltzius, Moritz Gottschalk, Cornelisz van Haarlem, Lena Rosa Haendle, Hagendorfer, Eva Hettmer, Leon Höllhumer, Luisa Kasalicky, Terese Kasalicky, Jakob Lena Knebl, Larissa Kopp, Maria Legat, Elke Liberda, Roberta Lima, Ahoo Maher, Parastu und Ziba Malousy, Andreas Messinger, Stephanie Misa, Rini Mitra Swarnaly, Soso Phist, Madame Pipistrelle, Heti Hnah Prack, Christoph Rodler, Michal Rutz, Andrea Salzmann, Hans Scheirl, Ruby Sircar, Alexandra Tatar, Patrick Weber, Charles Wilda, Julia Zastava uvm.


PERFORMANCE

curated by Moritz Gottschalk und Roberta Lima

with Wilhelm Binder, Hotel Butterfly, Roy Fredrick Culbertson III, Alexandru Cosarca, Crazy Bitch in a Cave, Zoe DeWitt, Fanni Futterknecht, Moritz Gottschalk, Markus Hausleitner, Ana Hoffner, Eisa Jocson, Lime Crush, Roberta Lima mit Jakob Lena Knebel, Pete Prison IV, Brigitte Wilfing


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Jean-Michel Basquiat {1960–1988}

„In Italian“, 1983
Acrylic, oil paintstick, and marker on canvas mounted on wood supports, two panels. The Stephanie and Peter Brant Foundation, Greenwich, Connecticut
via Brooklyn Museum: Exhibitions: Basquiat
An icon of New York in the 1980s, Jean-Michel Basquiat became renowned during his short career for works that draw on a multivalent range of sources, from Greek, Roman, and African art to jazz, pop culture, and his artistic contemporaries, most notably his close friend and collaborator Andy Warhol. These disparate influences are often juxtaposed in single works, which combine text and image in a cascade of visual information. A native New Yorker, Basquiat made graffiti under the tag “SAMO” as a teenager, and produced postcards and t-shirts before establishing his studio practice, finding fast fame at the age of 20. Though his career lasted barely a decade, Basquiat continues to have lasting relevance as a bridge between graffiti and the gallery, and as an influence to subsequent generations of artists.

MoMA’s collection of Basquiat’s work is focused on his drawings and prints, direct and intimate pieces in mediums that were central to his artistic practice.

via The Museum of Modern Art New York


„Untitled, From Leonardo“, 1983. One from a series of five screenprints, composition and sheet: 34 3/4 x 30″ (88.2 x 76.2 cm)
via MoMA